RedEx Express , a work that is part of the exhibition Copy Machine Manifestos: Artists Who Make Zines , at the Brooklyn Museum , the first exhibition dedicated to the history of five decades of fanzines produced by artists in North America.

Since the 1970s, fanzines (short for "fanzines," self-published magazines or pamphlets with text and images, usually photocopied) have given voice and visibility to many people operating outside the mainstream. Artists have harnessed the essential role of this medium in communication and community building, using it to transform material and conceptual approaches to artistic creation across all media. This canon-expanding exhibition documents the relationship of fanzines to diverse subcultures and avant-garde practices, from punk and street culture to conceptual, queer, and feminist art.

It also examines the intersections of fanzines with other media, such as collage, crafts, film, drawing, painting, performance, photography, sculpture, and video. Featuring over a thousand fanzines and artworks by more than one hundred artists, Copy Machine Manifestos demonstrates the importance of fanzines in artistic production and reception across North America.

RedEx Express has been exhibited in Copy Machine Manifestos: Artists Who Make Zines at the Brooklyn Museum in 2023 and at the Vancouver Art Gallery in 2024 .